Saturday, December 22, 2012

20 Best Songs of 2012

20. Muse - Madness


19. California Wives - Marianne


18. Kanye West - Mercy (feat. Big Sean, Pusha T & 2 Chainz)


17. Amadou & Miriam - Nebe Miri (feat. Theophilus London)


16. Diplo - Express Yourself


15. Nicki Minaj - High School (feat. Lil Wayne)


14. Japanroids - The House That Heaven Built


13. Nas -Daughters


12. M.I.A. - Bad Girls


11. Grizzly Bear - Yet Again


10. Major Lazer - Get Free


9. The Shins - Simple Song


8. Grimes - Oblivion


7. Ariel Pink's Haunted Graffiti - On In My Dreams


6. Frank Ocean - Pyramids


5. Miguel - Adorn


4. Santigold - Disparate Youth


3. Kendrick Lamar - Swimming Pools (Drank)


2. Tame Impala - Feels Like We Only Go Backwards


1. Beach House - The Hours


Wednesday, June 20, 2012

Vampire Weekend (2008) by Vampire Weekend

7.7 / 10.0 - Good

The world of college music comes in the form of one oddest named bands I'd ever seen. My friend in high-school asked me to burn this CD for him, but the name was completely foreign to me. Vampire Weekend? The name of the band was created by the band after making a video about a kid named Walcott (played by lead singer Ezra Koenig) who hurries to tell the mayor of a city that vampires are coming. Ironically, the tenth song on the album actually titled 'Walcott' may just be about the idea of the movie itself, as Koenig pleas for his character, "Walcott, don't you know that it's insane / Don't you want to get out of Cape Cod / Out of Cape Cod tonight?" The song fits perfectly with the plot of their school project by uses of loud cymbals, frantic keyboard crescendo and a surprising use of cello that puts a cherry on top of one of the best songs of the album.

The theme of movies may seem to be a thing within the group also with the song, 'Oxford Comma'. The video for the song is split into four different scenes and makes no sense at all. But Oxford Comma's use of language or 'diction' as they say in the song, is complex in the tune. The song could be a song about a relationship with a play on the English subject including lyrics "Why would speak to me to that way / Especially when I always said that I haven't got the words for you" Koenig's yodeling vocals are funny, but they work with the song's marching band drums and addicting keyboard melody. Did I mention they cite Lil Jon's 'Get Low' in the song?

'Mansard Roof' is a great start to the album considering its funeral strings and similar feel of of drums and keyboards present on the rest of the record. 'Cape Cod Kwassa Kwassa' seems like a Boogie Nights themed song as Koenig sings "Is your bed made? / Is your sweater off? / To you want to? / Like I know I do." Let's just say it's pretty much any anthem for a virgin-college freshman as Koenig finishes cleverly "But it feels so unnatural / Peter Gabriel too." And 'I Stand Corrected', another great (sappy) song, builds with each verse from electronics to strong snares and minor use of strings.

'M83' sounds like a wonderful Irish jig with a giant chorus and 'Campus' notes the feelings of every undergraduate who wonders the grass of their University along their way to class. I mean we've all seen that one particular girl right? 'A-Punk' the most popular song on the album is irresistible like any other song that seems to pop up in most of the movies we've seen within the past few years. It's flute during the chorus and the 'Ay-ay-ay-ays' are the best though. 

The album is worst though during 'Bryn' which sounds like a desperate plea to a girl who seems to not give a shit about the Koenig at all. 'One (Blake's Got a New Face) is the most strange song on the album during the obnoxious yelps of the girl or boy's name in the song, but the tribal chants are somewhat tolerable.










Tuesday, June 19, 2012

Santogold (2008) by Santigold

7.7 / 10.0 - Good

Back in early 2008, I bought Mark Ronson's Motown record Version after becoming curious about the Brit-pop scene and became interested in one song in particular called 'Pretty Green'. The song is very strange all around with its mixture of horns and beeps throughout, but the vocalist listed on the back of the record as Santo Gold is what caught me most. Her voice, very reminiscent of that in 60s music, gave me the impression that I would find some sort of soulful record when I actually looked her up on Itunes. And when I did buy her album, I was pleasantly surprised to find that her style didn't match any of my assumptions whatsoever.

Santogold (at the time), real name Santi White, does not find her aspirations from Motown and R&B music at all on her debut, like she does with her uses of new-wave synths, reggae guitar skanks, electronic and dub beats and punk inspired drums. Her first single from Santogold, 'L.E.S. Artistes' personifies the core of indie music with robotic hand claps, a utensil-like drum beat and a huge chorus where she sings, "I can say I hope it will be worth what I give up / If I could stand up mean for all the things that I believe" Her honest approach to find herself as an artist among the other Lower East Side wannabes on this song is just the start to her perfect gem of a debut.

'You'll Find a Way' marks its ground as an angry punk song with hard guitar skanks and chaotic drums, while hard pounds, horns, claps and finger snaps on the reggae song, 'Shove It', bolsters attitude with lines like "We think you're a joke / Shove your hope where it don't shine" Santi's own version of a mosh-pit head-banger comes in the form of 'Say Aha', a ska song with weird background electronic woos throughout, a tribal breakdown in the middle and a powerful guitar solo at the end making you wish you were surfing on California waves.

The new-wave lullaby 'Lights Out' is a flawless tune with an irresistible synth-like guitar in its chorus and soft 'Ah-ah-ah-ah's' as Santi sings, "Darlin' don't got to worry you're locked in tight / Darlin' now don't you worry turn out the light" The Diplo produced songs, 'Starstruck' and 'Unstoppable' give the album a bit of a hip-hop approach with heavy electronic based beats and lyrics that flaunt confidence. 'I'm a Lady' is White's version of a Pixies song and the willowy 'Anne' is highly amusing with White's 'coos' and a door-shutting beat. The remix to 'You'll Find a Way' might even be better than its original with an Indian-inspired electronic song and a breakdown that is hard not to dance to.

'Creator', a fan favorite, I find to be lacking musically unlike White's punk and new-wave productions, whereas 'My Superman', a dark Siouxsie and the Banshees inspired song, is lazy throughout and easy to skip. However, these songs aren't bad.

'Your Voice', a song originally performed by White's reggae band Stiffed, was released as a bonus track on the Japan version of Santogold and happens to be one of the best. Sad in it's chorus with lyrics like 'But maybe we'll never end up" the song is sweet with its island flow of reggae beats and soft vocals.

Now being 2012 with another album out already, White has changed the music scene in her own way. Producers that she worked with on this album like Diplo and Switch have now worked with Beyonce and Usher ultimately changing the sound of pop music today. (Even Jay-Z and Drake have sampled White's music on their own songs). Yet still a little underground, Santi has every right to believe she is artist that is true to herself when it comes to producing art. Look at her debut album, it incorporates every genre you can imagine.

During a concert a few years ago she asked her crowd, "Do you want to know why I'm puking up glitter on my album cover?"

"Why?" they asked.

"It's because everything that comes out of my mouth is gold!" White said. And she's right.

Top 5 Picks: 'Lights Out', 'L.E.S. Artistes', 'Shove It', 'I'm a Lady', 'Say Aha'